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Property Law

Introduction to Property Law

Virtual Classroom

Registered students can stream or download recordings of all my property classes here, or use the same link to subscribe to podcasts in iTunes. Use this link to access our virtual campus page for submitting assignments. Get all of the class prezis right here.

What's it all about?
Teaching - Digital Music

 

de Beer's Digital Music course is a unique, inter-disciplinary and international survey of the global digital music scene. Together we canvas legal, cultural, commercial and technological aspects of the music industry in countries around the world. The objective is to think broadly about the policies that affect the future of digital music, and ultimately, the creation and consumption of our own culture.

 

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Where's it at?
Teaching - Digital Music
 
I'm based at the University of Ottawa's Faculty of Law, and that's mainly where I teach Digital Music. We meet for seminars on Tuesdays, 9h00 to 13h00, in room 102 of the law school, Fauteux Hall. The course is inter-disciplinary, which makes it both more interesting and more relevant. Not only will topics and issues be discussed in crosscutting ways, students from multiple faculties and departments can register for and participate in the seminars. A modified, intensive version of this course is also offered occasionally abroad, notably at the University of Puerto Rico in the Caribbean city of San Juan.
 
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What do we read?
Teaching - Digital Music

 

No printed casebook or edited materials exist in this field, so I've created lessons that link you directly to the key cases, scholarly literature, news reports, blog postings and other resources you'll need to learn about our subject.

 

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How are we marked?
Teaching - Digital Music

 

Students taking the full course will complete a major research project to deepen their understanding of an area of particular interest to them, and to articulate their own views on the issues. Extensive student-professor interaction and feedback on interim deliverables, at students' initiative, can ensure high calibre outputs, some of which will be of publishable quality. The best papers are eligible to be considered for various awards and prizes.

 

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The Intro
Teaching - Digital Music

 

The magical mystery tour is waiting to take you away.
Written by Lennon/McCartney
Performed by the Beatles
Recorded on Magical Mystery Tour (Parlophone, 1967)


In the first class we'll dive right into the music and multimedia issues that underpin this class. We'll weave discussion of all of the issues that we'll eventually tackle during the course through a series of song and video clips, check out some cutting-edge digital distribution avenues and generally get acquainted with the technologies that influence the music scene online.

 

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The Business
Teaching - Digital Music

 

Money, its a crime.

Share it fairly but don't take a slice of my pie.

Written by Roger Waters

Performed by Pink Floyd

Recorded on The Dark Side of the Moon (Capitol, 1973)

 

The structure of the music business is insanely complicated, but I'm going to try to simplify it for you. It's all about money. Who pays it and who gets it and how. We're going to sort out the basics during class by breaking down five main activities: composing, performing, recording, broadcasting and merchandising.
 

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Sampling
Teaching - Digital Music

 

Caught, now in court 'cause I stole a beat.

 

Composed by Chuck D/Eric "Vietnam" Sadler/Hank Shocklee

Performed by Public Enemy

Recorded on It Takes a Nation of Millions to Hold Us Back (1988, Def Jam)

 

Technology now exists that allows anyone to cheaply and easily recycle pieces of our cultural fabric -- music, television programs, movies, characters and so on -- into new creations. The practice of "sampling" involves taking a part of a record, usually an isolated track or distinctive beat, and spinning it into a live performance or remixing it in a new sound recording. But the debate goes back much further than the digital era. We'll explore its origins in early copyright infringement cases, and its evolution to today.
 
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Parody
Teaching - Digital Music

 

I think I'm a clone now

Composed by Ritchie Cordell/Weird Al Yankovic

Performed by Weird Al Yankovic

Recorded on "Even Worse" (1998, Scotti Brothers)

 

Parody, pistache, mash-up ... whatever you want to call it ... is at the heart of so much "peer produced" content available online these days. How does the law treat this behaviour? How should it?
 

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Shifting
Teaching - Digital Music

 

And the first one now
Will later be last
For the times they are a-changin'

Written by Bob Dylan

Performed by Bob Dylan

Recorded on The Times They Are A Changin' (Columbia, 1964)

 
Is it legal to rip your CD collection onto your iPod? Seem like a silly question? It isn't. There are a few different types of shifting we'll talk about during this lesson, all of which raise the same fundamental question: how should the law respond to the commonplace practices of time, format and space shifting.

 

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Sharing
Teaching - Digital Music

Hey, I'm gonna get you too
Another one bites the dust

Written by John Deacon

Performed by Queen

Recorded on The Game (EMI-Electra, 1980)

 

The RIAA and its IFPI sister organizations worldwide have sued tens of thousands of people alleged to have shared music on p2p networks. During this lesson, we'll study the process and substance of these sorts of cases, including how file sharers are identified, when and where suits are filed, why they are almost always settled and what might happen if they're defended.

 

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Networking
Teaching - Digital Music
 
One thing I can tell you is you got to be free
Come together right now over me
Written by Lennon/McCartney
Performed by The Beatles
Recorded on Abbey Road (Apple Records, 1969)
 
The lesson explores some of the issues that arise in respect of designers and/or operators of p2p networks, or other parties indirectly involved with allegedly infringing activities. We'll talk about the evolution of the music industries' hostility toward new technology, from the player piano to broadcast radio to the VCR to the internet. Turns out we're dealing with pretty much the same story repeating itself throughout most of the 20th century and, so far, all of the 21st.
 
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Digital Locks
Teaching - Digital Music

 

Chains, my baby's got me locked up in chains.

And they ain't the kind that you can see.

Written by Gerry Goffin and Carole King

Performed by The Beatles

Recorded on Please Please Me (Parlophone, 1963)

 
There's been a lot written about the digital rights management (DRM), and for good reason. It is an extremely timely and controversial topic. New developments are happening all this time. Some pundits predict that DRM is going the way of the dodo, but I don't fully agree. We'll get your opinions during this lesson.

 
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Wrap Up: RiP
Teaching - Digital Music

We're going to cap off this course by watching a documentary that ties together some of the themes of this course: RiP: A Remix Manifesto, by Brett Gaylor. The final must-read, which will only make sense after you've seen the film, is this critique by Laura Murray. I can't imagine that Professor Murray's critique won't elicit a response from you, and I strongly encourage you to provide that response in our class discussion forum. This is a prime opportunity to ramp up your participation level, and probably great fodder for your final commentary as well.

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Digital Music

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